| Sperpetry | Дата: Воскресенье, 06.10.2013, 01:55 | Сообщение # 1 |
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"Battle of the Year" touches on just how the rest of the world gettings welcomed b-boy society, yet exactly how they're not regarded as reducing edge or cool in the United States.
That worries the Sean Combs-like impresario, Dante (Laz Alonso): "How long before hip-hop isn't really cool?".
He has to protect his songs, style and dance empire by putting American b-boys back on leading. He hires an old dancing pal, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. needs to get himself up to speed on the present state of dance, then recruit and coach a "all-star team" of the very best of America's ideal to tackle the other globe, which gettings passed America by and long controlled the yearly b-boy Olympics referred to as "BOTY," the Battle of the Year.
That team consists of diverse big-headed, chip-on-their-shoulder showoffs, because that's just what it requires to be successful. Real star professional dancers such as Do Knock and Flipz are blended with others, featuring vocalist Chris Brown.
And assisting coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.
Benson Lee, supervisor of the definite documentary on the globally phenomenon, "Planet B-Boy," co-wrote and directed this, and immodestly has characters view that movie and perform its praises. Holloway could not even mean a genuine dance past, so the flick fakes that by having his coach run his guys with drills (in split-screen series).
Peck, when of TV's "Drake & Josh," onetime superstar of "The Wackness," has a small, assisting job but is given top billing. In this instance, that suggests his every scene consists of excessively made-up and coiffed close-ups. It's laughable.
Yet tabloid darling Brown even more compared to holds his very own with this team, obviously not even needing a dance double. The dancing scenarios-- especially those including teams from Germany, France and Korea-- take the b-boy steps to the next degree.
And there are a lot of simple, undemanding laughs, the very best lines coming from Peck's assistant coach.
"You resemble a gazelle around," he applauds his supervisor. "A gazelle with arthritis." Which, while it doesn't explain the flick, does strike this genre right in the bull's eye. Then, the charm of "Step Up" and all its weary imitators is that the audience they're capturing for has no suggestion that there have been 20 or 30 films specifically like this one that came before it.
He has to safeguard his popular music, fashion and dance empire by placing American b-boys back on best. He employs an old dancing friend, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. has to obtain himself up to speed on the current state of dancing, then recruit and coach a "desire team" of the ideal of America's finest to take on the rest of the globe, which has actually passed America by and long controlled the annual b-boy Olympics understood as "BOTY," the Battle of the Year.
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